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First published
by BBC Worldwide magazine, November, 1992:
An
analysis of war reporting -- or pretentious nonsense?
Book
review by Ian Richardson
(Click
here for PRINTER FRIENDLY VERSION)
Anyone who pays
good money for a non-fiction book has a right to expect that they
will be informed, intellectually challenged and entertained -- and
that the author, specially when that author is a professor at a
top American university, should stick to points roughly pertinent
to the title. In my view, War and Television by Professor
Bruce Cumings fails on all counts.
To be honest,
this is a more a review of the introduction to a book, rather than
of the book itself, because if one is to judge a book, at least
in part, by the introduction, then this book must be judged to be
tediously self-indulgent.
There are frequent
references to the philosopher Nietzsche -- no doubt to establish
some sort of academic street credibility -- and an irritating meander
through such irrelevant topics as the Kennedy assassination and
"What is liberalism?" before reaching heights of pretentious
nonsense with impenetrable sentences such as this gem:
"This argument
is, of course, vintage Louis Hartz, who drew heavily on Toqueville,
this liberalism rests on miles of submerged convictions, on icebergs
of the unstated, on hidden premisses which have a liberating propensity
for the bourgeoisie in this most bourgeois of nations, but totalitarian
propensities for non-liberal systems: whether feudal, communist.
Catholic, orthodox Jewish, Confucian, Platonic, or Islamic, organic
systems exist to be dissolved." Eh?
At this point,
Page 14 of the introduction, I threw in the towel and sought hope
in the references to two major players in the coverage of the Gulf
War, CNN and the BBC. There were some mixed observations on reporter
Peter Arnett's coverage from Baghdad, but little else on CNN and
nothing of consequence in just six references to the BBC, except
to quote complaints that the corporation was exceptionally wishy-washy,
made by a producer from a rival commercial TV company.
Professor Cumings'
book seemed to be not so much about the general and fascinating
topics of war and television, but more a whinge about his treatment
over his contribution to a Thames Television documentary on the
Korean War. At one point he complains bitterly: "
my credentials
as a historian [were] challenged by those who have none, know-nothings
telling me where to get off, character assassination by people of
no character." But fear not, the severely-aggrieved professor
takes comfort from the knowledge that he can go back to Chicago
University "where my colleagues
do not challenge my standing
or assail my character." A pity really. A little more constructive
criticism might well help the good professor write better books.
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